Publications
Books
Edited Volumes
Fiktionalität im Vergleich der Künste und Medien, co-edited with Irina Rajewsky. Weltliteraturen. Berlin: De Gruyter, Oktober 2016.
Essays
“Deferral and Dilation: The Temporal Economies of Desire and Marriage in Early Modern England.” Emotion and Calculation. Marriage Markets and Match Making from Early Modernity to the Present, edited by Annika Nickenig and Esther Schomacher, Fink 2025 (forthcoming).
"May Sinclair’s Life and Death of Harriet Frean.“ The Unknown 1922: Literary Explorations Beyond Modernism, edited by Ingo Berensmeyer and Dorothee Birke, Innsbruck University Press, 2024, pp.45-56.
“An Audience of Contemporaries in Early Modern English Theatre.” Labelling Times: The ‘Early Modern’ – European Past and Global Now, Wolfenbütteler Forschung 177, edited by Andreas Mahler and Cornel Zwierlein, Harrassowitz-Verlag 2023, pp. 201-218.
“Buchführung, Wert und Fiktion in Robinson Crusoe.” 300 Jahre »Robinson Crusoe«, edited by Christine Haug, Johannes Frimmel and Bill Bell, De Gruyter 2022, pp. 55-73.
“Crossdressing auf Shakespeare’s Bühne.” Kulturelle Inszenierungen von Transgender und Crossdressing: Grenzüberschreitende Lektüren vom Mythos bis zur Gegenwartsrezeption, edited by Anne-Berenike Rothstein, Transcript, 2021, pp. 11-35.
“‘So good that he is good for nothing’. Francis Bacons Umwertung der Werte.” Der Essay als ‘neue’ Form, edited by Andreas Mahler, Wolfenbütteler Abhandlungen zur Renaissanceforschung 38, Harrassowitz-Verlag, 2020, pp. 157-170.
“Hamlet, the ‘Two Cultures’ and the Public Author: Ian McEwan’s Nutshell.” GRM 69.4 (2019), pp. 441-456. (peer-reviewed)
“Nadine Gordimer (1991).” Nobelpreisträgerinnen: 14 Schriftstellerinnen im Porträt, edited by Claudia Olk and Susanne Zepp, De Gruyter, 2019, pp. 131-152.
“Eigentum in der Krise: Eifersucht und Oikonomia auf der frühneuzeitlichen Bühne.” Das Haus schreiben, edited by Christina Schäfer and Simon Zeisberg, Episteme in Bewegung. Beiträge zu einer transdisziplinären Wissensgeschichte, Harrassowitz-Verlag, 2019, pp. 209-228.
“Reform, Reformation and Accumulation in the Henriad.” Anglistentag-Proceedings 2017: The Reformation in the English-Speaking World. Wissenschaftlicher Verlag Trier, 2018.
“Ökonomie und Politisches Kalkül – Macbeth und die Reformation.” Shakespeare-Jahrbuch 154 (2018), pp. 106-125. (peer-reviewed)
“A Letter from a Gentleman in Cambridge: zur Abwicklung des Humanismus in der City Comedy.” Humanistische Ökonomien des Wissens, edited by Judith Frömmer and André Otto, Zeitsprünge: Forschungen zur Frühen Neuzeit 21, Heft 3/4 (2017), pp. 239-258.
“Fiktionale Geometrie. Die vierte Dimension im literarischen Gedankenexperiment.” Fiktionalität im Vergleich der Künste und Medien, edited by Anne Enderwitz and Irina Rajewsky, Weltliteraturen, Berlin: De Gruyter, 2016, pp. 167-186.
“Einleitung.” With Irina Rajewsky. Fiktionalität im Vergleich der Künste und Medien, edited by Anne Enderwitz and Irina Rajewsky, Berlin: De Gruyter, 2016, pp. 1-18.
“Speech, Affect and Intervention in Joseph Conrad’s Chance.” Centennial Essays in Joseph Conrad’s Chance, edited by Alan Simmons and Susan Jones, Amsterdam: Brill, 2016, pp. 36 – 52.
“Loving ‘without thought of self’: Sin and Repentance in Lizzie Leigh and Other Stories.” Evil and Its Variations in the Works of Elizabeth Gaskell: Sesquicentennial Essays, edited by Mitsu Matsuoka, Osaka, JP: Osaka Kyoiku Tosho, 2015, pp. 441 - 455.
“The Evolutionary Paradigm and the Fourth Dimension.” Anglistentag-Proceedings: Multiple Modernisms, Wissenschaftlicher Verlag Trier, 2015.
“Literature, Subjectivity, and ‘Human Nature’: Evolution in Literary Studies.” Subjectivity 7 (2014), pp. 254-269. (peer-reviewed)
“Speech, Affect and Intervention in Joseph Conrad’s Chance.” The Conradian 39.1 (2014), pp. 36-52. (peer-reviewed)
“Material Culture and Nostalgia: Present-ing the Past in Cranford.” With Doris Feldmann. Neo-Victorian Literature and Culture, edited by Nadine Böhm und Susanne Gruss, Studies in Nineteenth Century Literature, London: Routledge, 2014.
“Gift, Credit and Obligation in Timon of Athens.” Money Matters: Shakespeare’s Finances, edited by Felix Sprang and Christina Wald, Shakespeare Seminar Online 11, 2013. http://shakespeare-gesellschaft.de/en/publications/seminar/ausgabe-11-2013.html.
“Modernist Melancholia and Time: The Synchronicity of the Non-Synchronic in Freud, Tylor and Conrad.” The Literature of Melancholia, Early Modern to Postmodern, edited by Martin Middeke and Christina Wald, London: Palgrave Macmillan 2011, pp. 173-186.
“Ereignis und Wiederholung als Koordinaten von Geschlecht und Gedächtnis.” Querelles. Jahrbuch für Frauen- und Geschlechterforschung 13, edited by Sabine Lucia Müller and Anja Schwarz, Göttingen: Wallstein, 2008, pp. 29-48. (peer-reviewed)
“Der Mythos der natürlichen Ordnung und seine Beharrlichkeit in der Betrachtung der Geschlechterdifferenz.” Ästhetik & Kommunikation 113 (2001), pp. 71-72.
Reviews
Rory Loughnane and Edel Semple eds, Staged Normality in Shakespeare’s England. Palgrave Shakespeare Studies. Palgrave Macmillan, 2019. Shakespeare-Jahrbuch, 157 (2021).
Andreas Höfele, No Hamlets: German Shakespeare from Nietzsche to Carl Schmitt. Oxford: Oxford University Press, 2016. The Germanic Review, 93.3 (August 2018).
Brian Sheerin, Desires of Credit in Early Modern Theory and Drama: Commerce, Poesy, and the Profitable Imagination. Studies in Performance and Early Modern Drama. London, New York: Routledge, 2016. Shakespeare-Jahrbuch, 153 (2017).
Johannes Wally, Secular Falls from Grace. Religion and (New) Atheism in the Implied Worldview of Ian McEwan’s Fiction (Studies in English Literary and Cultural History 62). Trier: Wissenschaftlicher Verlag Trier, 2015. AAA, 41:2 (2017).
„Fictionality Reconsidered“, Konferenzbericht, Journal of Literary Theory, 2012.
http://www.jltonline.de/index.php/conferences/article/view/461/1155