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Humboldt-Universität zu Berlin - Faculty of Language, Literature and Humanities

Publications

Monographs

 

  • Hysteria, Trauma and Melancholia: Performative Maladies in Contemporary Anglophone Drama. New York and Basingstoke: Palgrave Macmillan, 2007.

 

Editions

 

 

Journal Articles

 

  • “‘Medieval Shakespeare?’: Introduction”. Medieval Shakespeare. Special Issue of Shakespeare: Journal of the British Shakespeare Association 8.4 (2012): 1-5.
     
  • “‘I would eat his heart’: Liebeshunger und Blutdurst in Shakespeares Much Ado About Nothing.Zeitsprünge: Forschungen zur Frühen Neuzeit 15.4 (2011):  101-129.
     
  • “Second Selves, Second Stories: Unreliable Narration and the Circularity of Reading in Ford Madox Ford’s The Good Soldier and Chuck Palahniuk’s / David Fincher’s Fight Club. Literature and Circularity, Special Issue of Symbolism: An International Annual of Critical Aesthetics 9 (2010). Eds. Christoph Henke and Martin Middeke. 217-241.
     
  • “‘But of course the stage has certain limits’? The Adaptation of Ovid’s Metamorphoses in Shakespeare’s Plays.” Anglia: Zeitschrift für Englische Philologie 127.3 (2009): 425-458.
     
  • “Screening Austen’s Pride and Prejudice in Transcultural Britain: Joe Wright’s Little England and Gurinder Chadha’s Global Village.” Transcultural Britain. Special Issue of Journal for the Study of British Cultures 15.1 (2008). Eds. Bernd-Peter Lange and Dirk Wiemann. 43-58.
     
  • “Reproductions and No Original: Gender and Traumatic Memory.” Iterationen: Geschlecht im kulturellen GedächtnisQuerelles: Jahrbuch für Frauen- und Geschlechterforschung 2008. Eds. Anja Schwarz and Sabine Lucia Müller. 171-190.
     
  • “Martha C. Nussbaum versus Judith Butler oder ‚Old-style’-Feminismus versus poststrukturalistische Gender-Theorie.” Kontroversen in der Literaturtheorie / Literaturtheorie in der Kontroverse. Publikationen zur Zeitschrift für Germanistik 19 (2007). Eds. Ralf Klausnitzer and Carlos Spoerhase.  427-442.
     
  • ‘Genuine’ Violence on Stage? Jürgen Gosch’s production of Macbeth.Staging Violence and Terror. Wissenschaftliches Seminar Online 4 (2006), 23-31.
     
  • “Coming Off Rage? Angry Young Women at the Royal Court in Lucy Prebble’s The Sugar Syndrome, Gary Mitchell's Loyal Women, and Stella Feehily's Duck.AnyBody’s Concerns II – gender forum 7 (2004).
     
  • “Dramadic: The Haunted Heroines of British Women’s Plays of the 1990s.” H(a)unted Heroinesgender forum 4 (2003).

 

Articles in Books

 

  • with Martin Middeke: “Melancholia as a Sense of Loss: An Introduction.” The Literature of Melancholia: Early Modern to Postmodern. Eds. Martin Middeke and Christina Wald. New York and Basingstoke: Palgrave Macmillan, 2011. 1-19.
     
  • Transubstantiation, Transvestism, and the Transformative Power of Elizabethan Prose Fiction.” Narrative Developments from Chaucer to Defoe. Eds. Gerd Bayer and Ebbe Klitgård. New York: Routledge, 2011. 235-254.
     
  • “The Quest for the Body Underneath: Die Säkularisierung der Transsubstantiations-Debatte in englischen Romances der Renaissance.” Weltliche Wallfahrten: Die Suche nach dem Realen. Eds. Stefan Börnchen and Georg Mein. München: Fink, 2010. 305-321.
     
  • “‘This is my body’: Transubstantiation, Bodily Transformation and Disguise in Early Modern Prose Fiction.” Anglistentag 2008 Tübingen: Proceedings. Eds. Lars Eckstein and Christoph Reinfandt. Trier: WVT, 2009. 491-506.
     
  • “Gender-Performativität und theatrale Performance: As You Like It.Theorien der Literatur: Grundlagen und Perspektiven. Band III.  Eds. Günter Butzer and Hubert Zapf. Tübingen: Francke, 2009. 169-189.
     
  • “Zurückgekehrt, um dramatischer zu verschwinden? Hysterikerinnen im englischsprachigen Gegenwartsdrama.” Rhetoriken des Verschwindens. Ed. Tina-Karen Pusse. Würzburg: Königshausen & Neumann, 2008. 203-216.
     
  • “Staging Conceptual Art: Forced Entertainment’s Adaptation of Sophie Calle’s Exquisite Pain.Non-Standard Forms of Contemporary Drama and Theatre. Eds. Ellen Redling and Peter-Paul Schnierer. Trier: WVT, 2008. 69-93.
     
  • “The Drama of Hysteria: Wiederholung zwischen Zwang und Subversion.” Kippfiguren der Wiederholung. Eds. Svenja Flaßpöhler, Tobias Rausch, and Christina Wald. Berlin: Peter Lang, 2007. 56-66.
     
  • “‘What discoveries do we bring back from that alien terrain?’ The Spatialisation of Trauma and the Exploration of the Paedophile’s Mind in Bryony Lavery’s Frozen.Mapping Uncertain Territories: Space and Place in Contemporary Drama and Theatre. Eds. Thomas Rommel and Mark Schreiber. Trier: WVT, 2006. 111-126.
     
  • “Das ganze Theater um Gender... oder: Bodies that matter on stage.” Jenseits des Poststrukturalismus?  Eds. Marcel Lepper, Steffen Siegel, and Sophie Wennerscheid. Berlin: Peter Lang, 2005. 249-272.

 

Book chapters

 

  • “Analyzing Film.” English and American Studies: Theory and Practice. Eds. Martin Middeke, Timo Müller, Christina Wald, and Hubert Zapf. Stuttgart: Metzler, 2012. 353-358.
     
  • “Analyzing  Drama.” English and American Studies: Theory and Practice. Eds. Martin Middeke, Timo Müller, Christina Wald, and Hubert Zapf. Stuttgart: Metzler, 2012. 346-352.
     
  • “Analyzing Culture.” English and American Studies: Theory and Practice. Eds. Martin Middeke, Timo Müller, Christina Wald, and Hubert Zapf. Stuttgart: Metzler, 2012. 359-364.
     
  • with Verena Olejniczak Lobsien. “British Literary History: The Sixteenth and Seventeenth Centuries.” English and American Studies: Theory and Practice. Eds. Martin Middeke, Timo Müller, Christina Wald, and Hubert Zapf. Stuttgart: Metzler, 2012. 18-36.
     
  • “Kevin Elyot.” The Methuen Drama Guide of Contemporary English Playwrights. Eds. Martin Middeke, Aleks Sierz, and Peter-Paul Schnierer. London: Methuen, 2011. 163-182.
     
  • “Dermot Bolger.” The Methuen Drama Guide of Contemporary Irish Playwrights. Eds. Martin Middeke and Peter-Paul Schnierer. London: Methuen, 2010. 19-36.

 

Interviews

 

Reviews

 

  • Rez. “Verena Olejniczak Lobsien. Transparency and Dissimulation: Configurations of Neoplatonism in Early Modern English Literature. Transformationen der Antike. Volume 16. Berlin: de Gruyter, 2010. Anglia, 129. 3-4 (2011): 523-525.
     
  • Rez. “Elizabeth Klett. Cross-Gender Shakespeare and English National Identity: Wearing the Codpiece. Basingstoke: Palgrave Macmillan, 2009.” Shakespeare und die Stadt. Shakespeare Jahrbuch 147 (2011). Bochum: Kamp, 2011. 256-257.
     
  • Rez. “Naomi Conn Liebler. Ed. Early Modern Prose Fiction: The Cultural Poetics of Reading. New York and London: Routledge, 2007.” Anglia 128.1 (2010): 149-152.
     
  • Rez. “Timothy Rosendale. Liturgy and Literature in the Making of Protestant England. Cambridge: Cambridge UP, 2007.” Anglistik 20.1 (2009): 200-203.
     
  • Rez. “Jennifer Panek. Widows and Suitors in Early Modern English Comedy. Cambridge: Cambridge UP, 2007 (2004); Fiona McNeill. Poor Women in Shakespeare. Cambridge: Cambridge UP, 2007; Kathryn M. Moncrief / Kathryn R. McPherson. Eds. Performing Maternity in Early Modern England. Studies in Performance and Early Modern Drama. Aldershot: Ashgate, 2007.“ Bühne und Bankett. Shakespeare Jahrbuch 145 (2009). Bochum: Kamp. 239-242.
     
  • Rez. “Tobias Döring. Performances of Mourning in Shakespearean Theatre and Early Modern Culture. London/New York: Palgrave Macmillan, 2006.” Anglia 125.2 (2007): 370-374.
     
  • Rez. “Kathleen Stack. 'I Believe In the Power of Theatre': British Women's Drama of the 1980s and 1990s. Trier: WVT, 2005.“ Anglistik 18.2 (2007): 219-221.
     
  • Rez. aktueller Shakespeare-Hörbücher (Hamlet von Sprachraum, Shakespeares Geschichten - Tragödien Teil II nacherzählt von Urs Widmer, Beat Shakespeare von Random House Audio und The Tempest von Naxos AudioBooks). Shakespeare als Erzähler von Märchen und Mythen. Shakespeare Jahrbuch 142 (2006). Bochum: Kamp. 241-243.
     
  • Rez. “Margarete Sönser Breen and Warren J. Blumfeld. Eds. Butler Matters: Judith Butler’s Impact on Feminist and Queer Studies. London: Ashgate, 2005.Ill-uminating Gender – gender forum 12 (2005).
     
  • Rez. “Evelin Kilian. GeschlechtSverkehrt. Theoretische und literarische Perspektiven des gender-bending, Königsstein: Ulrike Helmer Verlag, 2004.“ Journal for the Study of British Cultures 12.2 (2005): 90-93.
     
  • Rez. “Elaine Aston. Feminist Views on the English Stage. Women Playwrights, 1990-2000, Cambridge: Cambridge UP, 2003.” Journal for the Study of British Cultures 11.1 (2004): 92-94.
     
  • Rez. “Dimple Godiwala. Breaking the Bounds. Feminist Dramatists Writing in the Mainstream since c. 1980. New York: Peter Lang, 2003.Gender Debat(tl)ed - gender forum 5 (2003).
     
  • Rez. “Roy Williams / Ian Rickson (dir.). Fallout. Royal Court Theatre, London.Gender Debat(tl)ed - gender forum 5 (2003).